Stephen Crane Essay Example For Students

Stephen Crane Essay Steven CraneSteven Crane : How his excellent setting and character description along with thephysical, emotional, and intellectual responses of people under extreme pressure and thebetrayal and guilt he shows for his characters helps the reader to better understand hisworks. Steven Crane is not one of the most liked authors in the world. He tends tobecome to engulfed in the scenery around the action that is taking place rather than theaction itself. Readers do not always follow and sometimes become lost in the sceneryinstead of the action. Details are very important for the readers because if the reader cannot see the same thing that the writer sees then the reader might lose interest in the story. We will write a custom essay on Stephen Crane specifically for you for only $16.38 $13.9/page Order now Crane does not mean for this to happen. He is only trying to help the reader betterunderstand what is going on. In the story The Blue Hotel, and in his poem Do Not Weep, Maiden, for Waris Kind, Crane uses his excellent setting and character description along with the physical,emotional, and intellectual responses of people under extreme pressure and the betrayaland guilt he shows between the characters to help the reader better understand the story orpoem. Crane shows these characteristics in almost everything he writes. In The Blue Hotel, Crane does an excellent job of describing the setting to youin every way possible. For example in the beginning of the story The Blue Hotel, he saysthat the hotel was painted a light blue, a shade that is on the legs of a kind of heron,causing the bird to declare its position against any background. He does this type of depiction on every single thing he describes. Then in paragraph three he says A littleIrishman wore a heavy fur cap squeezed tightly down on his head. It caused his two redears to stick out stiffly, as if they were made of tin. All of that for a guy he just passedalong the street on the way to the hotel. In the end Crane even goes into an in depthdescription of the bitter cold snow outside. Why does he see that to be so important?Everybody knows that snow is cold. He strongly believes in very good details that is forsure. The setting is one of the most important elements of a literary work. If the settingdoes not catch your attention as a reader the n you are unable to get into the story. Thelocality has symbolic importance and could have been sketched without firsthandexperience. This means that you would not ever have had to have been where the storytakes place to understand what it looks like because of his excellent description of thesetting. Crane also does a good job of establishing his characters through one of his majorthemes. The physical, emotional, and intellectual responses of people under extremepressure. Crane shows this in his characters to help the reader better understand what thecharacter is going through. One example of this is when the Swede accuses Johnny ofcheating in a card game. This offends Johnny and his emotional and physical reaction is tochallenge the Swede to a fight. Each Crane shortstory is designed upon a single ironicincident, a crucial paradox, or an irony of opposition. Crane stories consist of that momentwhen the characters confront the inescapable impasse of their situation, they are caughtand boxed in by fate, and then nothing happens. That is what happens with the Swedeafter he whips Johnny in the fight. The Swede feels as if he is no longer wanted at thehotel since Johnnys father is the owner of the hotel. The Swede becomes boxed in aninescapable situation. Crane tends to show this in most all of his works. Crane must havefound himself in these situation many times himself. If not he thought that this was a goodway to captivate the readers attention. He did believe that the readers attention was anecessity in successful literary writing. .ucf8d6e71dd3cf7a7b760749504eaabfc , .ucf8d6e71dd3cf7a7b760749504eaabfc .postImageUrl , .ucf8d6e71dd3cf7a7b760749504eaabfc .centered-text-area { min-height: 80px; position: relative; } .ucf8d6e71dd3cf7a7b760749504eaabfc , .ucf8d6e71dd3cf7a7b760749504eaabfc:hover , .ucf8d6e71dd3cf7a7b760749504eaabfc:visited , .ucf8d6e71dd3cf7a7b760749504eaabfc:active { border:0!important; } .ucf8d6e71dd3cf7a7b760749504eaabfc .clearfix:after { content: ""; display: table; clear: both; } .ucf8d6e71dd3cf7a7b760749504eaabfc { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ucf8d6e71dd3cf7a7b760749504eaabfc:active , .ucf8d6e71dd3cf7a7b760749504eaabfc:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ucf8d6e71dd3cf7a7b760749504eaabfc .centered-text-area { width: 100%; position: relative ; } .ucf8d6e71dd3cf7a7b760749504eaabfc .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ucf8d6e71dd3cf7a7b760749504eaabfc .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ucf8d6e71dd3cf7a7b760749504eaabfc .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ucf8d6e71dd3cf7a7b760749504eaabfc:hover .ctaButton { background-color: #34495E!important; } .ucf8d6e71dd3cf7a7b760749504eaabfc .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ucf8d6e71dd3cf7a7b760749504eaabfc .ucf8d6e71dd3cf7a7b760749504eaabfc-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ucf8d6e71dd3cf7a7b760749504eaabfc:after { content: ""; display: block; clear: both; } READ: Drug and Alcohol Abuse EssayIt is believed that the fight in the story came from a fight Crane witnessed on histravel across the west. He tried to break the fight up that he witnessed instead ofencouraging it as everyone in the story does. Crane also shows his naturally used theme of betrayal and guilt through the Swede. He does this after the Swede leaves the hotel. The Swede goes into a bar and asks somegentlemen to drink with him to celebrate his victory over Johnny. When they refuse hebecome angry as if he is being betrayed by these men because they will not let him buythem a drink. The Swede then threatens one of the gentlemen and the man retaliates andends up killing the Swede. Without this betrayed feeling the Swede would have probablylived. This ,the blue hotel, could have been one of Cranes best works if it were not forthe puzzling ending, in which the Easterner offers a moral that baffles not only theCowboy , but the reader as well. He (the Easterner) does this by telling the Cowboy heseen Johnny cheating but never spoke up. If the Easterner would have spoken up soonerthe whole story would have changed drastically. In the poem Do Not Weep, Maiden, for War is Kind, Crane also shows thischaracteristic of betrayal. In the poem there is a wife, daughter, and a mother who feel asif they have been betrayed by their husband, father, and son for leaving them to fight fortheir country in war. The author tries to comfort them by telling them that everything willbe all right, for war is kind.Crane also uses his descriptive setting to help the reader see what it looks like inwar. For example in line eleven he says a field where a thousand corpses lie. In lineseight and nineteen he says these men were born to drill and die. You can just see themen running around everywhere. Screaming and hollering while their friends are dying allaround them. There is nothing they can do but pray they will make it out alive. Steven Crane is a very good writer and loves scenery. Although he does becometo involved in the scenery sometimes. For that reason some readers tend to draw awayfrom his work. Steven Crane does a good job establishing his common themes as well asthe scenery in both The Blue Hotel and Do Not Weep, Maiden, for War is Kind. Crane, Steven. Do Not Weep, Maiden, for War is Kind. Literature: An Introduction to Reading and Writing. Editor. Edgar V. Roberts. NewJersey: Prentice Hall, 1998. 1039. Crane, Steven. The Blue Hotel. Literature: An Introduction to Reading and Writing. Editor. Edgar V. Roberts. New Jersey: Prentice Hall, 1998.110 128. Narveson, Robert. (1969) Reprinted in Nineteenth Century Literary Criticism. Editor. Vottelec, Thomas. Detroit: Gale Research, 1991. Seven: 109Stallman, Robert Wooster. (1952) Reprinted in Nineteenth Century LiteraryCriticism. Editor. Vottelec, Thomas. Detroit: Gale Research, 1991. Seven :127

Civil War in Lebanon essays

Civil War in Lebanon essays Lebanon lived through its darkest era nearly twenty seven years ago when a severe civil war broke out. . Sectarian hatred developed as constant conflicts occurred resulting in a bloody devastating religious war. The war resulted in at least 100,000 deaths, ruined cities, and homeless and traumatized people. Lebanese fought with other fellow Lebanese people and killed one another due to their cultural differences. These internal conflicts led to the intervention of many outside countries seeking their own benefits. After fifteen wars of bloodshed, the war came to an end and peace talks were taking place. Since the war was over, the government is continuously working on rebuilding the country which could take decades to do. However, what is more important is erasing the bad memories and burying the segregated attitudes which built up among the people; such an issue could take a very long time to achieve. April 13, 1975 was the beginning of a gloomy era for Lebanon when an attempted assassination against Pierre Jumayyil, the ex-president of Lebanon, took place. Believing that the assassins were of Palestinian origin, a bus carrying Palestinian passengers was attacked killing twenty six of them; thus occurred the spark which ignited the Lebanese civil war. These events led to what was thought of as a religious war of Christian versus Muslim. Soon parties were being formed each following its own beliefs and attitudes; those in favor of the situation were known as the Lebanese Front and those against were the Lebanese National Movement. As the conflicts between the two sides intensified, the Lebanese army was mobilizing to end the conflict. In addition, bordering Syria began its involvement. As time passed, more groups were being formed and were forming alliances with either of the two sides. Battles were increasing in number and intensity resulting in more deaths and destruction . There came a point when the Chri...

Ommunicating sexuality Essay Example | Topics and Well Written Essays - 2500 words

Ommunicating sexuality - Essay Example Until 1985, the definition of heterosexuality inferred that to be a heterosexual was natural. The Shorter Oxford English Dictionary of 1970 defined heterosexual as â€Å"pertaining to or characterized by the normal relations of the sexes† (Sullivan 2003, p. 119). In its 1985 publication, The Shorter Oxford English Dictionary defined the term heterosexual as involving and relating to â€Å"or characterized by a sexual propensity for the opposite sex† (Sullivan, p. 119). All indications are that the roots of prejudice against bisexuals and homosexuals are tied to the presumption that heterosexuality by definition is normal. By implication, the definition of heterosexuality means that any sexual identity that is not heterosexual in nature is decidedly abnormal. Despite this modification of the definition of heterosexuality, Western society for the most part continues to adhere to the belief that heterosexuality is the â€Å"norm† with the result that â€Å"homosexual relations are stigmatized† (Caplan 1987, p. 2). Caplan explains: Nonconformity to the norms of heterosexuality threatens the dominant ideology’s view of sex as ‘innate’ and ‘natural’ (Caplan 1987, p. 2). Therefore both historically and culturally, we live in and are exposed to a heterosexually driven world which forms the basis of the popular understanding of human sexuality. ... ern society for the most part continues to adhere to the belief that heterosexuality is the â€Å"norm† with the result that â€Å"homosexual relations are stigmatized† (Caplan 1987, p. 2). Caplan explains: Nonconformity to the norms of heterosexuality threatens the dominant ideology’s view of sex as ‘innate’ and ‘natural’ (Caplan 1987, p. 2). Therefore both historically and culturally, we live in and are exposed to a heterosexually driven world which forms the basis of the popular understanding of human sexuality. Essentially, that understanding for the most part is that heterosexuality is the ideal sexual identity. The construction of this normative heterosexual world was tested by Kitzinger (2006, p. 169) who analysed a series of conversations harvested by conversation analysts over approximately twenty years. The result was that co-conversationalists took for granted that the world was predominantly heterosexual. Regardless of their own sexual preferences or sexual identity, the co-conversationalists reflected and reproduced â€Å"a profoundly heterosexual social order† (Kitzinger 2006, p. 169). It would therefore appear that even homosexuals and bisexuals have resolved that heterosexuality is the norm. As a dominant norm, heterosexuality is â€Å"ageless† (Katz 2007, p. 8). In other words, historically, heterosexuality marked the underpinnings of sexual identity. Essentially, the male dominated institutions previously functioned to align heterosexuality with masculinity. This heterosexual masculinity is hegemonic and functioned to perpetuate an ideology which not only defines, but also sets standards for the sexuality of both young women and men (Holland, Ramazanoglu, Sharpe and Thompson 1998, p. 13). This historical and cultural background accounts for the